A. Martine
NEVER WAS YOUR COLOR
It was a mistake after all to make the kitchen brighter.
All colors are known to lie, to prettify themselves
for the occasion. I draw my knees up on the granite floor
and against the windowed glass and have conversations
with the peach-swiped yellow wallpaper. I feign honesty.
I am a woman who can talk about grief and write out
that watercolored sadness I always brush my toes in.
I swear: I am a woman who can look a curving road in
the eye and say I know where this is going, I am a woman,
I have been here before. I can hold it together, come up
against a freshly wallpapered kitchen. Can say: this was
a mistake, no, don’t think wallpaper, don’t think yellow,
don’t think about that story, you know the one;
I am a woman who can say: no you are not like that
protagonist with her sad life and almost mean it. Things
come and go — time’s a nagger, checking in occasionally
(you still there, then?), green tea mug gets cold in hand,
petrichor gives way to a seabreeze kind of smell,
light makes its mad-dash way across the room,
onetwothreefourfivesixseven o’clock, my outline shrinks
and flickers before me, for a few hours, I am a giant
in contrejour — but yellow walls and I, we go nowhere.
I am a woman who can hold it together hold it together
hold it together. I need to learn other things
with my hands that aren't picking and picking and
picking apart. I heard dying felt like a flash, a burst,
life bottlenecked into a last huzzah. Somebody told me
it’s a bend in the road you should outpace before
it finds you unawares. I am lying. I know dying feels
like a flash, a burst, life bottlenecked,
and nobody told me this, I did. Anything, anything but
this slow exercise of a — where was this going?
It was a mistake to make the wallpaper yellow. Now
my hands are full of it, the allegorical mistake
laid out like an exclamation on my fingertips. I am
a woman who can look a curving, bending mind and say:
you know where this is going, go to bed, you can already
hear the roar, you’ve had too good a couple of weeks.
And yellow? like that damned story, will pull you apart.
Never was your color — next time go at least for red.
A. Martine is a trilingual writer, musician and artist of color who goes where the waves take her. She might have been a kraken in a past life. She's an Assistant Editor at Reckoning Press and a co-Editor-in-Chief and Producer of The Nasiona. Her collection AT SEA was shortlisted for the 2019 Kingdoms in the Wild Poetry Prize. Some words found or forthcoming in: Berfrois, Déraciné, The Rumpus, Bright Wall/Dark Room, Metaphorosis, South Broadway Ghost Society, Gone Lawn, Rogue Agent, Boston Accent Lit, Porridge Magazine, Anti-Heroin Chic, Figure 1, Willawaw, Tenderness Lit. @Maelllstrom/www.amartine.com.